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Capacitor: Making the Scene (cont.)
Dance Magazine


Besides reframing the theatrical experience, Bandaloop is also one of many companies rethinking movement itself, to expand their choreographic possibilities and in the process, perhaps, attract a broader range of viewers. It is increasingly common for choreographers to combine seemingly disparate techniques layered with multimedia elements-text, visual art, video, and computer software. As the Life Forms software of Merce Cunningham's 1999 work BIPED proved, the latter has great potential to reshape dance.

And that's where Capacitor, which embraces most of these ideas and then some, comes in. Lomask, an alum of the Cunningham Studio and The Royal Ballet Academy, and Bernstein, a San Francisco Make*A*Circus apprentice who honed his circus skills performing on European street corners, co-founded Capacitor in 1997, in the giddy early days of the dot-com boom. They favor video projections and electronic music; sometimes original compositions, sometimes existing pieces remixed by DJs. Capacitor's typically ten-member lineup shifts according to injuries, tours, and what it requires from performers and collaborators in any given piece. The company has catapulted outside the black box, beyond street fairs and corporate events, to the arty-freaky Burning Man festival (held Labor Day weekend in Nevada's Black Rock Desert) and the Bay Area's dot-com-driven Webby Awards.

"I've always felt like it's an artist's duty to listen to the pulse of society," Lomask said. "There needs to be some way of breaking out of dancers performing for dancers. You need to be clear about who you're performing for. Are you performing for dancers? For your generation?" Capacitor's carnival-like visuals and modern music seem to hold particular appeal for the digerati and club kids. And at this intersection, Lomask (the child of an artist and a scientist) has harnessed another kind of technology to attract new viewers: Capacitor regularly performs at dance clubs, where guests are asked to sign the company's email list. In turn, the company emails these people about its upcoming concerts in